Sie verwenden einen veralteten Webbrowser, weshalb es zu Problemen mit der Darstellung kommen kann. Bei Problemen mit der Bestellabgabe können Sie gerne auch telefonisch bestellen unter: 01805 / 30 99 99 (0,14 €/Min.)

The Whole Picture

Procter:The Whole Picture

Autor:	Alice Procter
Verfügbarkeit:	Auf Lager.
Veröffentlicht am:	24.02.2021
Artikelnummer:	2599075
ISBN / EAN:	9781788402453

Ihre Kundenmeinung hinzufügen

Produktbeschreibung
Kundenmeinungen
Vielen Dank für das Interesse an unsere Kundenmeinungen.
Wir können die Authentizität der Bewertungen nicht prüfen und sicherstellen.

Zusatzinformation

Autor: Alice Procter
Verlag: Octopus Publishing Group
ISBN / EAN: 9781788402453
Bindung: Taschenbuch

Produktbeschreibung

"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times

'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim

Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall?

How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon.

The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today.

The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.